24 Yankee Doodle Dandies



Deadwood, South Dakota


Oh, the Deadwood stage is a-rolling on over the plains
With the curtains flappin' and the driver a-snappin' the reins
A beautiful sky, a wonderful day
Whip-crack-away, whip-crack-away, whip-crack-away.


The house on Hargrave Street turned out to be a stack of mildewed timber overdue for demolition, and my conversationless mate who shared it with me proved to be a gloomy companion. Luckily he upped stakes a little later, leaving me in sole possession, but unfortunately liable for the entire rent. My answer to that setback was to persuade my brother to abandon the parental nest and join me. The suggestion fell on willing ears, for my absence from the parental habitat meant he’d become a defenceless duck splashing about to escape the maternal wrath.

My cousin Terry continued  to communicate with me by letter from England and in one of them he chaffed me with ‘pouring out words of philosophical wisdom’, adding that he failed to understand for the most part why my mind ‘ticks the way it does’, though he confessed that the odd sentence did make some sense to him. Then he said he’d recently seen ‘Alfie’, a film ‘all about a fella with a similar outlook on life to you, who just wanders through life getting through as many birds as possible’.


Alfi, film, 1966


Now it happened that I’d seen that film too, though I should say I found little reflection of my own life in it. My cousin’s comparison of my attitude with that of an inveterate rake showed that he lacked the faintest notion of how I ticked. The Alfie of the film, who left a trail of broken-hearts in his wake, was after all successful with women, while my experience, on the contrary, was stained with failure. It seemed the only feeling that this celluloid seducer showed in regard to his victims was contempt, while my error lay in quite a different direction, for I was rather inclined to idealise women, and I was, I think, a little afraid of them. Consequently my aim was not ‘to get through as many birds as possible’. It was to find a girl who was compatible with me – sexually, emotionally and intellectually.

To find a girl that was compatible with me… Now, how would I go about doing that?

Trial and error, I guess.

There’d been a fair few errors already in the belated launch of my romantic campaign, and there were bound to be more. That thesis was endorsed one night when my old high school friend, Leonard Bahry, who was now studying English at the University of Manitoba, conducted me to a party at the house of one of his university friends. To give some idea of the mental make-up of this crowd, I might mention that on arrival my companion counselled concealing the beer we’d brought along in a bedroom wardrobe. Well, I must say, that precaution was an eloquent commentary on the honesty and generosity of Leonard’s upwardly mobile friends. All beer was held in common at 555 Broadway.

I speculate that as a stranger – and one that had visited Europe, too – I might have been a modest object of curiosity there, for I looked a little unusual. My hair was longer than Canadians generally wore it at that time, and my black leather jacket and tie I’d bought in England were remarkably unlike anything you could buy in Winnipeg. But no – these people had their attention focussed firmly on themselves.  It would have been a boring evening indeed, had not the two or more beers I’d swigged began to speak. 

In fact they spoke so eloquently that I revelled, for a time, in the company of two girls at once, one on each knee. The one on the right was rather pretty, I recall, and quite tall, though something of an onus on my femur, while the girl to the left was slight but plain. Since I honoured the latter with rather less attention than her friend, she vanished rapidly and I applied 100 percent of my attention to the one that remained.

Her name was Marie and she was a Ukrainian Canadian, like most of Leonard’s friends. We chatted happily for a time, and then I asked the girl if she would like to go out with me the following weekend.

No, she couldn’t, she said.

“Why not?” I asked.

“Well, because I’m going out with the white Cougar,” she replied casually.

Pardon?

A Cougar was in fact a rather expensive model of car. The remark was intended to convey that her company came at a cost, and that she would never waste time with someone like me, who owned no car at all, never mind a Cougar. It looked like I’d have to revise my ideas about prostitution. Some women, it seems, though in no way driven to it, were ready nevertheless to sell themselves to a fellow simply on the basis of the chattels he possessed.

I record the incident only because it tells of my first brush with a bona fide gold-digger, a type I’d seen previously only portrayed in films. Some months later I met Marie again quite by chance at Grand Beach on Lake Winnipeg. Attracted by a tempting feminine form in a swimsuit, I recall repeatedly trying to kiss her while wading in the water there, but she fought me off as if I’d been a Piranha.

“You’re just like a criminal,” she told me. “The only difference is that you stay inside the law.”

What? The definition of a criminal is… – And this irrational female was studying to become a lawyer!

I wonder what species of rabbit she mated with at last anyway.


 Grand Beach, Manitoba


In May or June of that year, Ian told me I was invited to a party at the house of his girlfriend, Alda, and her sister, Margaret, in the absence of their parents. This would be a chance to see what Margaret looked like. On that Saturday evening, the door was opened by a sturdy girl with a pleasant smile and laughing eyes. That was Alda. Inside, I made the acquaintance of a slighter girl in a flared skirt with light-brown hair, wide-open eyes and loosely-parted lips. 

This was Margaret. Her legs, I noticed, were shapely enough, but softly mottled in pink and white, as though she’d been in the habit of sitting too near a fire. Was she pretty? Well, yes, maybe she was in a way, but those staring eyes of hers were sensibly repellent, and her manner and movements were markedly artificial.

Still, I was drawn to her as the sole free female that bloomed in the room. However, she paid not the slightest heed of me. Or rather, I felt she pretended to pay no heed of me and bestowed her notice instead on a friend of Ian’s called Bob Beriault. Now Bob was the best of fellows, with enviable dark curly hair, in contrast to my own duck down, that I could pull out practically in handfuls, but he was on the short side and somewhat plump. And he was ‘as bashful as a young woman peeping through a veil’ as some writer once picturesquely put it. What Bob made of Margaret’s forwardness, I'd be curios to know.

As for me, I was nettled, for I suspected Margaret of exploiting Bob just to make me jealous. Okay, two could play at that game. I began to bestow not only my notice but my great good spirits too on everyone and anyone but her. Late in the evening, bloated with beer and saturated with badinage I floated out the back door and threw myself prone on the back lawn, rolled over, and raised my eyes to the stars speckling the night sky. That great sparkling tapestry up there carried me back to Spain and the night when, insensible as a doormat, I lay in the entrance of a taverna looking up at the stars and fantasizing about Anthea. Where was she now? I mused. Back in New Zealand, I supposed.

These reflections were arrested by the sound of the back door opening against its spring and then clapping back again. A figure stole into the panorama of stars and then straddled my abdomen. It was Margaret. With no word she bent her head and impressed my lips with a kiss. But it was a kiss without passion, without substance, without tenderness – or without even any real intent, I felt. It was the empty husk of a kiss, just a rite, a ritual, nothing really desired, a mere pressing of flesh together. 

Still, it was the mouth of a woman with an engaging face seeking mine, and I was aroused. I enfolded her in my arms and rolled her body sideways onto the grass beside, foraging her lips, her face, her neck for the love that had eluded me for so long. Perhaps my hands got into the act as well and explored elsewhere, but these regions were swiftly signposted verboten. All that was on offer here was an extended session of indifferent kissing, accompanied by an unremitting hush that suggested her head was empty of any reflection, and soon she slipped silently back to the house.


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Whose idea it was to undertake a trip to the Black Hills of South Dakota, I don’t recall, but – yes! – anything to escape Winnipeg, to be back on the road again! And the means for this excursion? Larry could sometimes borrow his mother’s car, a Volkswagen Beetle. It’s certain we couldn’t have had much baggage with us, because four of the Broadway Avenue characters – Larry, Ian, Jim and I – squeezed into the diminutive vehicle and set off on the seven-hundred odd mile journey. Our route took us south across immense stretches of wheatlands and through the Badlands of North Dakota, an arid land where erosion had scoured the terrain, leaving behind monstrous hummocks layered in different tints of black and white and brown, with cracks and fissures flowing down their slopes as though they’d been molten long ago and then become frozen in time.


Badlands, North Dakota


Somewhere on the journey south, Larry let me take a turn at the wheel. Already I’d been smitten by this little bug. I liked its ‘sporty’ feel and I liked the reassuring whirr of its air-cooled engine, but now, in the driver’s seat, I felt the gears engage without complaint and heard that comforting whirr rise or fall in pitch as I changed among them. But more, owing to the closeness of the controls, I felt a kind of intimacy with this little vehicle that I’d never ever felt with any car before.

I recall that we stopped in some small town for the night, I can’t remember where. We ate a hamburger each and drank a beer somewhere and then after dark we found a vacant patch of land far from the houses and nestled in our seats for the night. At about one o’clock in the morning we glimpsed the figure of a man prowling about outside. At last he came up and a head wearing an official cap of some kind looked in at Larry’s window. Were we going to be charged with vagrancy or something? But all he said was:

“I don’t think you should park here.”

“Why not?” Larry asked.

“Because you’re on the railroad tracks.”


 On the tracks


We leapt into life then and hastened to change the neighbourhood of our sleeping quarters.

Four fellows jammed together in a car engendered a lot of laughing about something or nothing. As well as jeering at signs we saw along the way, like ‘Wall Drug’ - signed repeatedly hundreds of miles beyond its actual location and offering not a word more - we broke now and then into: 

“Oh, the Deadwood stage is a-comin’ on over the hi-i-i-i-i-i-i-i-ill!” 

I didn’t know what song that line came from at first. Most probably Wayne was the source of information there, as he fancied himself as a kind of expert on films. I’d never liked musicals, anyway, so I’d certainly never seen ‘Oklahoma!’

Neither did I know there was a town called Deadwood, but, yes, it was in South Dakota, and that’s where we were headed. We arrived in the town on the second day of travel. 


 Deadwood, South Dakota


Much of what we saw and did there is lost to memory now, but I do recall being in a bar boasting a big grainy portrait of Wild Bill Hickock, dashingly moustachioed and arrayed in buckskin jacket with dangling fringes. Also there was a giant likeness of Calamity Jane, but God what a gorgon she was! Not remotely like Doris Day, who’d starred in the 1953 film. 

And there was a wooden chair too, roped off from the rest, with a neat hole in the back of it. A notice nearby informed the astonished visitor that this was the very chair that Wild Bill Hickock had been sitting in when he’d been shot. Later, we stepped across the road to visit another bar where there was another chair that Wild Bill Hickock had been sitting in when he was shot.

But what is the truth? What are the facts?

On August 2, 1876, Wild Bill Hickok was playing poker with a group of men in Nuttall & Mann's Saloon in Deadwood, when Jack McCall entered the place, walked up behind Hickok and shot him in the back of the head.

Now, if the victim had been shot in the back of the head, how could there be a bullet hole in the back of his chair? He must have been a midget! But in 1965, when we visited the town, there was no convenient way of learning the truth. Nowadays, of course, anyone can learn the truth by reading Wikipedia.

So… chairs with holes in them have disappeared from the story. Instead, a gullible public is hoodwinked with chairs with no holes.




The chair in the photo above, claimed to be the very chair Wild Bill Hickok was supposedly shot in, sits in an alcove in a glass frame above the front door of a bar called Saloon #10, which is NOT the saloon where Hickok was shot. That saloon was built of wood and burned down in 1879. You’d have to be irretrievably gullible to believe that anyone in 1879 would have saved from the fire and preserved a chair – any chair – for the purposes of tourism!

Facts? In our age, people have little interest in facts, because facts require them to exercise their minds. They want history to be made easy for them, by having it fashioned into simple drama that can be consumed passively. Quite frankly, they don’t want history at all, because history is useless to them. What they want is a show, a fantasy, a carnival!


                      This show runs 4 times a day, 6 times a week in Deadwood


But facts are so much more interesting! For example: Hickock was killed by a man called Jack McCall. Now, McCall (who had shot Hickok in the back of the head at point-blank range) was tried by a ‘Miner’s Jury’ and acquitted of the murder. How is that possible?

Quite possible, in fact, when you know something about Miners’ Courts, which were generally convened to settle disputes over claims to land. Here is a little background on Miner's Juries.

The Court Room

There was no court room. One trial in Montana was held in a wickiup, a type of shelter built by American Indians, in the shape of a tepee, but constructed of tree branches, brush and grass.

Punishments

Because no jails had been built, there were only three punishments available: whipping, banishment, and hanging.

The Jury

Punishments were voted on by the jury. Two types of jury were possible, the formal twelve-man jury, and the "jury of the whole." The jury of the whole was, in effect, the crowd. Drunk or sober, whether they had heard all the evidence or not, anyone who happened to be passing by when the vote was taken could contribute his vote, too.

And vote again. When John Dillingham was murdered in early July 1863, three men were convicted and sentenced to be hanged. While on their way to execution, some tender-hearted women and the defence attorneys excited the crowd to such a pitch that vote after vote was taken, until the men were banished instead of being hanged. One man came back three days later and was rehired as a deputy, despite having been seen to shoot the victim by a hundred people. He and a second man were hanged for the crime six months later, while the third man travelled far out of the area and was himself murdered.

Information from Carol Bucanan


James Butler “Wild Bill” Hickok



Eyewitnesses have remarked that Hickok’s hair was red, but that’s just another inconvenient fact that has had to give way to the fantasy.

Reading the Wikipedia account of Hickok’s life, you get the impression of a man who was an inveterate liar and self-publicist, whose professional methods were often exceptionally questionable. I cite an example of the latter from his time as Marshall of Hays, Kansas, in 1869.

One Samuel Strawhun was causing a disturbance at 1.00 am in a saloon when Hickok and his deputy, Peter Lanihan, arrived on the scene. Strawhun “made remarks against Hickok,” and Hickok killed him with a shot through the head.  At the coroner’s inquest into Strawhun’s death, Hickok said he had “tried to restore order”. But despite “very contradictory” evidence from witnesses, the jury found the shooting justifiable.                                          

I finish this digression with a word on the fate of Jack McCall, the man who killed Hickok. After bragging about the deed, he was re-arrested and tried again for the killing by a court with a proper jury. This time, he was found guilty and sentenced to death, despite his claim that he had killed Hickok because Hickok had killed his brother. Actually, a man named Lew McCall had been killed in AbelineKansas, by an unknown lawman, but “it is not known if the two men were related”.




Whatever the truth or falsehood about McCall, he cannot legitimately be called an ‘assassin’. It seems likely that the term was chosen to demonise McCall and to canonise Hickok. Again, this is less history than it is fantasy.

But I return to my story, where my friends and I were left pondering that second chair with a hole in it, and wondering what the relationship might have been between Wild Bill Hickok and Calamity Jane that caused their pictures to be exhibited side by side.

 Naturally we had a fancy to see the final resting places of this great American hero and heroine of the Wild West, but how to find them? Very easily as it turned out. A sign at the end of the main street read: ‘To the graves’.

We set off along the way indicated by the arrow, and soon came to a second sign printed with the same words. In fact we followed a series of similar signs that led to the cemetery. The exact locality of what we were in quest of was clear at a glance, for we found the two graves inside a little pen of railings. As well as the protection of the dead, I noted, the local authorities had kindly considered the comfort of the living, who might wish to commune with the spirit of the great American past, for three tiers of seats overlooked the little pen.

Only in researching for this post did I discover that these two emblems of the American West were buried together as a gag! Four of the men on the self-appointed committee that planned Calamity’s funeral later stated that, since Hickok had "absolutely no use" for Jane in this life, they decided to play a posthumous joke on him by laying her to rest by his side.    

After Deadwood, we visited one or two bars in Rapid City, noisy with western music and nodding with cowboy hats, and the next day we were on the road for home, stopping on the way to see the megalithic presidential faces at Mount Rushmore. This was new to me too, since I hadn’t yet seen the Hollywood spectacle of Cary Grant and Eva Marie Saint – she immaculately clad and elegantly coiffured – edging down an enormous nose, or clinging to a titanic lip.


Cary Grant and Eva Marie Saint filming North by Northwest


Mount Rushmore

                                   --------------------------------------

High summer in Winnipeg was always marked by the arrival of the gargantuan American fair that styled itself  the ‘Red River Exhibition’. In its grounds, there were feats to dazzle your eyes, challenges to tax your skills, rides to scare yourself stiff on, and food to make yourself sick on. There were even games of chance to lose your money on. How they got away with gambling attractions is a perplexing question, for any form of gambling, bar bets on horses, was illegal in Manitoba. But I suppose that there, as elsewhere, money shortens the long arm of the law.

I’d attended this extravaganza a couple of times before, but decided at last that I didn’t like fairs. They seemed to me embodiments of the adage ‘a fool and his money are soon parted’. But a great many young people did like fairs, so that they seemed promising places to meet girls. With that idea in mind, I presented myself at the ‘Ex’ in the company of Jim Smith, who was by then a good friend of mine. As not a solitary girl fell instantly into our embrace, we went in quest of alternative enchantments. First, we scared ourselves silly on the Ferris wheel, and then we thought we’d try to win some money with the help of ‘Oscar, the Mouse’.

I’d never gambled in my life before, but the game looked simple enough. It was based on a rough wood-built horizontal wheel, with a receptacle underneath, and marked with diagonal lines on top, so that the surface was divided into coloured triangles like a roulette wheel. At the centre of each triangle there was a hole in the wood, marked with a number. What you did was pay a quarter, and bet on a number. Then the attraction manager, setting the wheel in a whirl, took a live mouse from his pocket and dropped it on top. The panic-stricken creature dashed this way and that way on the spinning disc, before quickly disappearing down a hole. If it was the one you’d bet on, you won a couple of dollars. I don’t recall how many quarters I wasted on that game.

After that, we were enticed by a lurid scene on a colossal canvas sheet picturing several scantily-clad dancing girls. It was just a clumsy and colourless sketch intended to suggest steamy and seductive frolicking. There, we paid more money to enter a big tent, where several people were already seated on benches before a stage, where a long box was propped on a pair of sawhorses. We took seats and awaited the start of the show. There was a pause while more voyeurs slithered in, and then there appeared before the assembly a fellow and a solitary girl – who, disappointingly, was not at all scantily-clad, but dressed in everyday duds, displaying not a hint of scantiness. They were not even feminine-looking clothes. Work clothes, more like.

The fellow now announced that the girl would lie inside the box while he thrust some swords through it. At that, the girl laid herself inside, and then the fellow lowered the lid. Now he picked up a handful of swords and thrust one noisily into the back of the box so that the point emerged through the front. Choosing another sword, he thrust that one through the box. He chose one sword after another, and thrust it in until the box front fairly bristled with sword points.

Now the fellow opens the lid, steps back and announces: “If you would like to see how she does it, for the price of a quarter you can come up on the stage and look in the box and see.”

Not worth a quarter, I said, and got up to leave. Then he says, “We don’t want to offend anybody, but she’s had to take her clothes off to do this.”

Jim and I paid our quarters and got in the line leading to the stage. Filing past the box, we looked inside to find that the girl was lying on her side, avoiding the swords all right, but – fully clothed! Everyone, including Jim and I, descended from the stage without a word. Well, you couldn’t complain, could you? For if you did it would look like you’d paid a quarter just to see a naked girl!

As I said, a fool and his money are soon parted.

Finding our way amongst the crowd, and observing the ‘attractions’ of the place, we came upon the one where you paid a quarter to strike a device with a big hammer, which set a metal object rushing up a column, graduated to show the force of the blow. If it was forceful enough, the object struck a gong at the top, and you won a prise. Now the ‘Ex’ was a source of short-term employment for many Winnipeggers, managing ‘attractions’. As it happened, I knew the  manager of this one. It was Judy Taylor.

As she was constantly occupied with her job, there was little chance for chat, but I did establish that she was now married.

“Married!” I repeated in disbelief. After all, it was just two and a half years since she’d been sitting primly by my side at a drive-in movie!

“Why?” I asked stupidly.

“Well, you weren’t around, were you?” she said with the barest sense of bitterness.

So… she wouldn't let me put my arms around her, but she may have let me marry her!


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