11 Lads Loose in London



London Night Photo

The real voyage of discovery consists not in seeing new landscapes, but in having new eyes.

- Marcel Proust


At Streatham, we learned by means of a newspaper add that a bedsitter was vacant at 160 Ellison Road in South London, so we motored down to the address and knocked at the door. It was opened by a tall middle-aged lady in a housecoat with hair clipped down on her crown and a face that looked like she'd just detected a bad smell. But when I asked about the lodging, she led us upstairs and showed us into a room with two single beds and a little kitchen alcove. The rent was five pounds a week. As the digs seemed sufficiently clean, we clinched the deal forthwith and moved in on the instant.

In the days that followed, whenever I passed through the downstairs hall on my way in or out of the house, I noticed through half-open doors that the light in the rooms downstairs seemed filtered and dim, as though all the blinds had been drawn down. The landlady, a Mrs Shepherd, was usually nowhere to be seen, or else she appeared in a housecoat. It seemed she spent a large part of her life in bed. Not with her husband, though. He was shorter than her, anxiously well-meaning and most surely under the thumb. But he was helpful to John and me, as it was through his good offices that we found work with a local building and decorating firm.

The head of that enterprise was a certain Mr. Quantrill, a gentleman in his sixties who kept his hair well greased and shiny, and was unfailingly clad in a tweed jacket embellished with shirt and tie. It seems an extensive circle of aging ladies of his acquaintance required his services from time to time for their even more aging dwellings, and he never lacked for work. He employed a couple of old codgers ten years older than himself called Bill and Fred to do the semi-skilled work of painting, while the more highly-skilled task of paper-hanging was handled by a fellow in his forties called Bob who unfailingly laboured with a cigarette stuck in the corner of his mouth. Any brickwork or plumbing was contracted out to acquaintances of Mr. Quantrill. 

We two newcomers were tasked for 44 hours a week doing  the preparatory work of stripping old paper from walls and scraping peeling paint from woodwork or burning it off with a blowlamp before smoothing it down with sandpaper. Our boss paid us the minimum wage of five and tuppence ha'penny an hour and he habitually delivered orders to us through fixed lips that invariably twitched into an obsequious grin whenever the aging lady of the place materialized.



When he handed us our wage packets on a Thursday, we tore off the tops at once, drew out the crisp notes, two fives and a one, and tipped the thick coins into our hands. In the evening we'd don suits and ties and tramp through the little passageway at the end of Ellison Road and cross the little bridge over a pathetic little rivulet dignified by the name 'River Graveney' and emerge on Streatham High Road, where we slipped into the nearest pub. We visited several pubs in the course of an evening, and after closing time at eleven we stationed ourselves outside a bright window, misty with condensation, and munched hungrily from a crumpled newspaper at a slab of battered fish, crisp and golden on the outside and flaky and white and steamy on the inside, and at a jumble of thick chips doused with vinegar and sprinkled with thick salt.

On Friday nights we conducted a tour of several pubs again, and then Saturday we often went to the dance hall in Streatham, the Locarno, or sometimes to the Orchid at Purley. 


Locarno, Streatham, entrance

Sunday found us down almost to the last coppers in our pockets, and we used them to get entrance to a cinema, thus providing ourselves at least with a little warmth for the evening and two hours of maudlin occupation. I recall that that experience was like visiting a cinema in Canada in most respects but one: the end of the performance. 


The film was just coming to a close when several of the spectators rose from their seats and, accompanied by other likeminded opportunists, hot-footed it for the exit.

“What’s going on?” I asked John.

I got no reply, but just then the last scene of the film faded away and the screen was instantly re-occupied by a black and white image of The Monarch, perched on a horse and masculinised in military tunic with epaulettes, and crowned with a busby and plume that pointed to the sky, suggesting, I submit, where this fantasy of a woman descended from, while the orchestral notes of God Save the Queen wailed in the great cinematic space. At once, the rump of audience remaining, which either relished this ridiculous exhibition of jingoism, or which had not been sufficiently quick to escape from it, rose deferentially in their descending ranks to have the absolving balm of a Sovereign Monarch applied to their plebeian eyes and ears. Well, the Queen of Britain is the Queen of Canada, too, but Canadians never abased themselves before her image in such a demeaning manner. 



We spent Monday, Tuesday and Wednesday nights in our bedsit. I especially remember Wednesday nights when we lacked even a coin to insert into the electricity meter, so to save power we stretched ourselves on the floor with the lights out picking the lengthiest cigarette butts from an ashtray and lighting them in the red glow from a single bar of an electric fire.





Two or three weeks after settling in Streatham, Tommy turned up and took the smaller bedsit next to ours. He soon found a job on a building site and now the three of us did the round of pubs and dance halls. When forced to stay at home through lack of cash we got up to some asinine pranks together to keep boredom at bay. One night, I remember, we cut costumes from newspapers and took turns making senseless speeches clothed in them standing on a chair, and one afternoon we made a sign in big black letters that read: 'THREE GIRLS WANTED', and hung it in the front window. This amused us. Not so the landlady. Our invitation remained in place for just two hours before she came swooping up the stairs in her shroud of a housecoat, demanding that our message be removed.

When the delights of a Saturday night in Streatham faded for us, we turned our attention to the great conurbation of London itself, and especially to a wonderful pub called the Duke of Wellington.  We could reach it by taking a train to  Balham and then catching an underground train from there to the Elephant and Castle, where we caught a bus to the pub. A complex and inconvenient excursion, that's true, and the fares for it were even more inconvenient, so why did we do it? Well, the place was packed to the walls with people, and two or three times during the evening several musicians and a singer  mounted a little platform near the bar and took up guitars and drumsticks and then launched into a run of rhythm and blues tunes.

Wow! What a thrill seized that crowd then! The hum of talk now faded and a few twangy chords were picked on a guitar. Several tentative taps were made on a drum and the singer would grasp his mike tightly and lift it to his lips. And then the whole place would ignite into wild, hypnotic, irresistible sound. 

'Put on your red dress baby/Because we're goin' out tonight!'

That number was the one that thrilled me most, but whatever the song, I was always struck by the contrast between the intense vitality of the music and the placid professionalism of the players, for they spurned any kind of gyrating or cavorting such as is common nowadays in place of a truly professional performance. Sweat trickled from their faces as they played, but they remained as still as stone, and the singer held his mike to his mouth as if he would eat it. They gave me a lasting regard for R & B music. 

Sometimes I was so high on music and beer - and my own new-found freedom - that I proved something of an embarrassment to my friend John. One night, I recall, Tommy wasn't with us for some reason. Maybe he’d left by then or maybe he was out with a girl. Anyway, we two emerged from the Duke of Wellington to await a bus bound for the Elephant and Castle, when I was suddenly seized by an urge to climb atop the bus shelter. Shinnying up to the top and scrambling to my feet there, I was delighted to find myself on a lamplit stage some eight feet above the street. At once I began whirling about dementedly and screeching: 'Let's twist again like we did last summer!' while from some lower region where ordinary mortals pursued their pitiful lives I detected the sound of John's voice carping about the performance.

"You're making a show of yourself!" he complained.

Just then two girls walking by stopped and shot a glance up at me.

"What are you doing up there?" one asked.

"What are you doing?" I slurred.  Then, hanging by my hands from my feigned stage, I jumped down to the ground.

"How about a kiss, babeee?", I swaggered in complete inebriation.

To my surprise neither resisted when I seized hold of them, one after another, and planted a smacker on their lips, while John, forgetting his embarrassment and far from carping now, followed my lead and took a turn too.

Tommy was a tall lad who wore thick glasses with thick frames, and both his grin and his cockney accent were broad. He had a taste for swanky clothes, I recall, which he could acquire owing to the superior wages he earned from slaving away on a building site. When he returned from work of an evening, his clothes were spattered with mortar, his skin was grimy with dirt and his hair was grey with cement dust, but after soaking himself for some moments in the bath, he would appear spotless in a fashionable shirt, a fancy tie and an expensive suit, poised for a night out. 

His company was fun at first, but his conduct could at times be callous. It happened at least once, I recall, that he met a girl at the Locarno - he certainly seemed more successful in that respect than either John or I - and escorted her home, arranging to meet her again on another night. But on the night in question, he simply neglected to turn up, as he’d changed his mind and preferred to go out with John and I instead.

And then one night we saw a side of him previously completely hidden. We three had gone up to the Elephant and Castle and taken a bus along the Old Kent Road, not to the Duke of Wellington this time, but to a pub called the Thomas A'Becket. I don't know how many rounds we three drank in there, three or four maybe, when Tommy suggested we have a drinking contest. I disliked the idea and John was not keen either, but Tommy insisted and wheedled and cajoled until we agreed, just to hear the end of it. Well, I got to seven and a half pints and couldn't drink any more, while John made it to eight and Tommy drank a full nine pints, a clear winner.

Thomas A'Becket: closed as a pub long ago 


But young men can be sensitive about such nonsense. It was a stain upon my manhood to be out-drunk by a whole pint or more, and I'm sure John felt the same. That is until we'd left the pub and got to our bus stop next to a wooden fence, chest high, that enclosed a building site, where great concrete pillars and cross members rose yellowly in the light from the streetlamps. 

But our chatter and laughter rapidly sank when Tommy promptly whirled half-circle,  made a clutch at the fence and vomited onto the turf beyond. He clung to the structure in silence for a time, and then suddenly climbed across to the other side. John and I  glanced at each other in amazement and then, stepping up to the fence, we peered into the semi-darkness below. Tommy was down like a dog on the ground, the back of his head bent toward us in the shadow of the barrier, and he was scrabbling with his hands in the dirt and the vomit.

"Ah, what are you doing?" I asked.

"I’ve dropped mi fuckin’ tooth!" he wailed.

We had no idea what he was talking about. But soon it was clear that he had a false tooth that had come out with the vomit and dropped to the ground. I don’t think he ever found it, because his mood was venomous for the rest of the evening, especially when we missed the last train from Balham and had to walk three miles to get home. The malevolence of his mood was made blatant when, passing a darkened cinema door, Tommy suddenly broke his stride and turned aside to a film poster display case and smashed its glass cover with his fist. From then on John and I avoided his company whenever we could, and  he soon found alternative logging.

One Saturday morning, just before Christmas, John and I neglected to turn up for work, which negligence cost us our jobs. Our 44 hours were supposed to include 4 hours on a Saturday morning, but we often preferred to luxuriate in bed nursing our hangovers, though that indulgence was bought at the cost of four hours’ pay. But the entries in Mr. Quantrill's order book were probably looking somewhat sparse as winter wore on, and our present dereliction of duty gave him sufficient justification for disposing of us. John decided now he'd had enough of London and returned to Liverpool in time for Christmas. I moved back in with my grandparents at Morden and turned my attention to getting another job.





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